PRIS CAMPBELL
Among other Journals and Poetry Collections, Pris Campbell's poetry has been published in Poems Niederngasse, MiPo Publications (print/digital/radio/OCHO), 
Boxcar Poetry Review (her poem in the May 2007 issue won the issue's peer award), The Dead Mule: An Anthology of Southern Literature, 
In The Fray, Empowerment4women, Tears in the Fence, Thunder Sandwich, Interpoetry, Verse Libre and the Woman of the Web Anthology. 
Her chapbook, Abrasions, was published by Rank Stranger Press and Interchangeable Goddesses, with Tammy Trendle , by Rose of Sharon Press, 
S.A. Griffin, publisher. Two poems have been nominated by two online journals for 'Best of' Year-end Print Anthologies. Raised in the Carolinas, 
she has lived in the mid-west, Hawaii, New England and now lives in the greater West Palm Beach, Florida with her husband and two pets. 
Formerly a Clinical Psychologist specializing in developing and running treatment units for people with chronic mental illnesses, 
she has been sidelined by CFIDS since 1990.


 


                           Encroachment

	When we were young,
	sunlight was borne from our laughter.

	We picnicked on dunes
	where shoeless wild ponies roamed,
	giggled over cheap wine at dolphins
	trailing our starboard rail.

	I knew no other man after you.

	Light seems suddenly dimmer now;
	afternoon shadows lengthen.
	Death is a man walking backwards,
	more rapidly each time I look.

	Reach out your hand.
	Draw me again to your bed.
	Make this evening
	our shelter,
	our stand
	against the inevitable
	encroaching night.

	
	
	preacher john

	on the avenue of lost angels,
	john the baptist's ghost wanders,
	still preaching, head tucked
	into a suitcase,
	silver platter under one arm.

	shivering under the crumbling statue
	of their uncommon savior,
	the bag lady dreams john's words
	of holy communion, ignored
	by the other day end loiterers.

	night sucks up dusk,
	and the drug dealers creep,
	bearing their own streetside offerings;
	they laugh when she gropes the air,
	john, are you still there.



	Steps

	two steps forward
	three steps back
	two steps forward again
	sand tracing my efforts
	sun scorching my neck
	someone sings on the hilltop
	still too high to see
	angels walk beside me,
	mary magdalene
	annoints my feet


	Blackmail Press, summer 2003


	
	Sunday Means Forty-Second Street

	Kneeling in the Forty-Second street alley,
	cord tight above elbow bend,
	vein swollen and ready,

	Mother, on his arm,
	watches, and patiently waits.

	Sundays it's always the Square,
	flashing sign drawing his eyes 
	briefly towards heaven.

	His church.
	She always told him to go.

	Hard to remember her clearly now.
	Life eats his childhood daily, 
	fogging memories of a figure in blue, 
	scent of gardenias in damp air,
	heels clattering over hardwood floor.

	She would like it that he comes here.
	Everybody needs remembrance
	of a mother's cool hand.


	Lotus Journal, June 2003


	Poet's Song

	You of the matted beard,
	watermelon snack-juice leaking
	from half open lips as you sleep.
	Do you dream of golden bird claws
	drifting through silent rooms,
	lovers' bosoms hanging
	over stained bathroom sinks?
	Do your bracelets clink as you turn,
	restless from London's noisy heat?
	
	A bubble from your head
	spills heiroglyphs into my hand,
	the afterbirth of an emerging poem.
	Pris Campbell
	
	
	Songs To A Midnight Sky
	
	
	Daily, you draw the line
	between yesterday and today,
	
	dare me to cross, 
	dare me to get close.

	I stand in the backyard rain,
	shirt soaked, jeans sucking
	against hungry thighs, hear
	you move around in the den,
	stereo rising high 
	over a flash of lightning 
	to the east .
	
	The Lettermen
	
	But of course
	you would put them on
	to taunt me

	Defiant, I sing along, 
	face the night sky,
	swallow raindrops, dance,
	until I know that yes, 
	I can survive anything.
	
	Even you.
	
	Later, when I shiver out of wet
	into dry, you already sleep,
	back walled to my side of the bed,
	dreaming your own song alone.