I am a professor of English and Creative Writing (fiction and poetry)? at Ohio Northern University,
with nearly 500 of my poems appearing in more than one hundred journals in the U.S. and Canada,
including Agni Review, Carolina Quarterly, Epoch, The Georgia Review, The Missouri Review,
The Northern American Review, The Ontario Review, Poetry, and Shenandoah.
Seven collections of poems have been published, including Running in Place (L'Epervier Press,).
At Park and East Division ( L'Epervier Press,) The Lindbergh Half-century (L'Epervier Press,)
The Inheritance (Sandhills Press,) and Storm Service (Basfal Books).
Basfal also published After Business in the West: New and Selected Poems .
?I have completed several print and hypertext (hypermedia) collections of poems for publication,
including Character in the Works: Twentieth-Century Lives, West of Luna Pier, Spooking in the Ruins,
Keeping Touch,? and Eating Asiago & Drinking Beer.?
Besides the print publications poems have appeared in several webzines,
ICARUS / BEFORE LIGHT
She'll have her own smalltalk housed in.
And I -- without a word to tell --
one in a weekend's low-keyed infamies,
I feel the crossveins
triggering -- finding the ash from an old pipe
still pressed in the stitched creases --
December say -- in its ways
reminding a man apart
unbearable.
I take on this treeless holiday. I study the air
just over the heated
scented wax -- in air imagining --
and in this air
the freshening / completing
interests.
Loved -- I would say -- broad-loved! --
coaxed from the run of dreams
and into the night's own vanishing --
but loved -- broad-loved --
with even the emptiness undone --
enjoying the rooms
/ steps down -- enjoying
her rooms below
without the pleasure
of
a night-light
and finding the locks I check assured --
stepping without a light
through space I've come to know by heart
and -- closing
the front-door -- snug -- tapping
the loose glass back --
turning at last to pre-dawn light--
I lay my hands
on air -- as if I needed air
for balance --
where blocks themselves
seem spilled --
in someone's mad
anatomy.
BEFORE THE HAMMER FELL
We entered that mist / that moving grey --
traveling south to search the stuff
of lifetimes in old places -- in watermarks
/ molded notes -- in the drawers
more deep with river city images. Fashion
( we'd say ) was not due course --
nor the rain-assisted dusk / drawered scenes
in outdoors light -- and -- more
obliquely measuring -- the ways a home
would seem in last-century pictures
/ would seem in musings sent through distances.
Words -- in your father's hand --
leading your thinking off -- my own hands
to your shoulders -- distracting the touch
that slipped the feast-day china in pink sleeving --
into that box and box
we packed for travel in the Bonne -- letters
you found imagining -- your father's
war-sworn assurance to your grandmother --
on holidays set apart -- even as I am
set apart by holidays -- here in this home
the decades raised and cost a family --
Reasons to hate the reasons then / to hate
such minutes now -- personal
and apart -- with love's collapse -- where
celebrations were to prosper -- and now
as old as docudramas seem to be -- as masks
/ fault-lines -- masked like anyone's
half-century -- asked in your eyes -- asked
wait -- and asked to be less than anything --
anything less than north and winterblood
become a focus -- a blur in this driving
driving out -- where every objection stalls
and fails at persuasion / fails to seem as is
/ to animate such robes -- that poured
like liquid cloisonne -- from
ritual to source / from wide-poured privacy
to something like espousals -- and into
that silence afterward -- to meals apart -- to
earlier chill and late loud silence of the talk-shows --
reasons to hate the reasons then -- dismissing
the risked / made love -- where two
advanced and improvised -- as if there had been
no universe -- been no lost home
for lovers to be lost in -- Kind -- in
their hungers then -- and kinder still
in fealties to hunger -- before the hammer fell --
before the reception crackled / layered
voices interferred -- and wizardries of scale
declared there'd be no poetry / no lyrics
struck / no lyrics set among the fibers
in that terrible overmuch. I concentrate
on line. I think of the thimble concentrating
family history -- opening a line of thought
tonight -- opening the air between two hearts --
made up on better travel -- hearts
risking membership / risking delux
paid on -- something more sure
than plot or the spring river
would decide on -- than
love made long / than
love -- made less
than singular.